Wildlife Photography with the Nikon 500mm F/5.6 PF – One Year In

My reaction to holding the Nikon 500 F/5.6 PF for the first time was basically the same one I had with its little brother, the 300 F/4 PF. The lens seems impossibly small and light for what it is – a 500mm full-frame super telephoto no bigger than a 70-200mm F/2.8.

While the lens doesn’t offer anything remarkably new in terms of focal length or maximum aperture, it does offer a high magnification, professional-grade, full frame super telephoto lens with a reasonably bright aperture of F/5.6 in an impressively small form-factor. As someone who likes to hike out in the wilderness to find subjects, I was immediately intrigued and saw the potential in this lens.

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Panasonic S1R Review: A Wildlife Photographer’s Perspective

Can it handle BIF (Birds in Flight)? Why yes, it certainly can.

The first reaction I had when handling the S1 and S1R for the first time at a local camera event earlier this year was “wow, these cameras are large and heavy”. The S1 and S1R are a hair smaller than my Nikon D850 dimensionally, but also over 200 grams heavier.  The Panasonic S cameras are therefore considerably larger than most other full frame mirrorless cameras, and the system’s lenses are, in general, as heavy or heavier than comparable DSLR lenses. This didn’t stop me from wanting to try one.

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Ortlieb Atrack: The almost perfect rugged camera backpack that’s not a camera backpack

Finding a perfect camera bag sometimes seems like an exercise in futility. I’ve owned and also tried out tons of bags over the years, and very few seem to check all the boxes. For hiking and photography, I’ve always been on the lookout for a bag that strikes the balance between durability, weight, and functionality. As a traveling photographer, I’m often going to wet, humid, sandy, snowy or dusty environments where having a durable bag is a great asset to protect sensitive electronics and keep stuff dry.

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Long-term Review of the Olympus E-M1X: A Wildlife Photographer’s Perspective

A Question of Size

For some, the E-M1X might seem like a bit of an enigma. For many years, Olympus and Panasonic championed the compact form factor of their micro four-thirds series cameras and the advantages that they offer in terms of portability over a DSLR. Over the past couple of years, Olympus has shifted its focus away from ultra compact lenses and bodies and  towards larger bodies and lenses for working professional and serious enthusiast photographers. Panasonic seems to be leaning this direction as well, if the release of the GH5 and G9 micro four-thirds flagship cameras and their recently released 10-25mm F/1.7 zoom lens are any indication. That brings us to the E-M1X, which is a clear deviation from Olympus’s compact micro-four thirds heritage. Is it worth considering with today’s full-frame craze?

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FotoPro EGL-65 Eagle Series Carbon Fiber Tripod and E-6H Gimbal Review – A Lightweight Option for Wildlife and Landscape Travelers

Fotopro EGL-65 with E-6H Gimbal (Olympus E-M1X mounted)

Preface

Tripods are one of those pieces of photography equipment I tried to avoid buying for a long time. In part, it’s because I’ve benefited from the excellent built-in image stabilization provided by the micro-four thirds cameras that I have used over the years, but I also never liked carrying extra weight when I didn’t have to. Still, there are times when I have found that a tripod is an indispensable tool. This includes situations where I must be patient and wait for a wildlife subject to appear, or when shooting macro subjects where maximum stability is required. Holding a camera with a telephoto lens at your eye for long periods of time can be extremely fatiguing, and not having a tripod near the correct position at the right moment could lead to missed or blurry shots. Tripods are also exceptionally useful for stabilizing video.

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