Why I still shoot Micro Four Thirds in a full-frame mirrorless world

Mine’s bigger than yours.

In the past year, the world has witnessed a steady stream of full-frame mirrorless camera releases. We’ve got a full suite of Sony Alpha full-frame mirrorless cameras (with more, including the A7R IV on the way), and newcomers including the Nikon Z, Canon R, and Panasonic S series. I can imagine someone interested in purchasing a serious camera for the first time would naturally gravitate towards these full frame models, if for no other reason than these cameras are getting the lions share of marketing attention. A bigger sensor must be better, right?

Is a large format camera necessary when a smaller format is giving you the results you desire?
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Long-term Review of the Olympus E-M1X: A Wildlife Photographer’s Perspective

A Question of Size

For some, the E-M1X might seem like a bit of an enigma. For many years, Olympus and Panasonic championed the compact form factor of their micro four-thirds series cameras and the advantages that they offer in terms of portability over a DSLR. Over the past couple of years, Olympus has shifted its focus away from ultra compact lenses and bodies and  towards larger bodies and lenses for working professional and serious enthusiast photographers. Panasonic seems to be leaning this direction as well, if the release of the GH5 and G9 micro four-thirds flagship cameras and their recently released 10-25mm F/1.7 zoom lens are any indication. That brings us to the E-M1X, which is a clear deviation from Olympus’s compact micro-four thirds heritage. Is it worth considering with today’s full-frame craze?

Continue reading “Long-term Review of the Olympus E-M1X: A Wildlife Photographer’s Perspective”