For some, the E-M1X might seem like a bit of an enigma. For many years, Olympus and Panasonic championed the compact form factor of their micro four-thirds series cameras and the advantages that they offer in terms of portability over a DSLR. Over the past couple of years, Olympus has shifted its focus away from ultra compact lenses and bodies and towards larger bodies and lenses for working professional and serious enthusiast photographers. Panasonic seems to be leaning this direction as well, if the release of the GH5 and G9 micro four-thirds flagship cameras and their recently released 10-25mm F/1.7 zoom lens are any indication. That brings us to the E-M1X, which is a clear deviation from Olympus’s compact micro-four thirds heritage. Is it worth considering with today’s full-frame craze?
Tripods are one of those pieces of photography equipment I tried to avoid buying for a long time. In part, it’s because I’ve benefited from the excellent built-in image stabilization provided by the micro-four thirds cameras that I have used over the years, but I also never liked carrying extra weight when I didn’t have to. Still, there are times when I have found that a tripod is an indispensable tool. This includes situations where I must be patient and wait for a wildlife subject to appear, or when shooting macro subjects where maximum stability is required. Holding a camera with a telephoto lens at your eye for long periods of time can be extremely fatiguing, and not having a tripod near the correct position at the right moment could lead to missed or blurry shots. Tripods are also exceptionally useful for stabilizing video.